Learning Through Making

Experimental production of stone tools

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The Blue Handaxe part two: an unsuccessful melting experiment

Last week Nacho, Howard and Jex made some time to record the smashing and melting processes for the glass collected from the bottle tip. Above you can see a birds eye view of Nacho’s home made kiln that we were using for the experiment.

In total we had six clay moulds lined with aluminium takeaway containers. The take away containers function was to stop the melting glass adhering to the clay mould. In relation to the kiln we had an upper and lower section, and were interested to know if location within the kiln was going to be a factor. As you can see, we also had glass of different colours and Nacho thought the milk glass, based upon its density, would be the most difficult to melt.

The above photograph shows the kiln just as it reached 1000 degrees. I was told in Spain that glass melts at around 850 degrees, and so in theory 1000 degrees would be more than enough. However, it was possible to see into the kiln, and although the glass had adopted a sheen, it clearly had not yet liquified. So we carried on upping the temperature.

Above is the sample Nacho had made so that we could pull it out and see how things were progressing. When he pulled this out the glass was red hot, however, as it cooled it became apparent that the clear glass fragments had liquified whilst those of milk glass were still recognisable as fragments. The differing colours were indeed behaving differently.

I had to be in university by 5pm and so at 4pm Nacho switched off the heat source and allowed the kiln to start the cooling process naturally. We could see that some of the glass had indeed melted, whilst other glass hadn’t. The mix above of clear and milk glass had the texture of a rice cake, rather than the smooth and solid block we were looking for. On the plus side, it did release from the clay mould easily, in spite of the fact that the aluminium tray had melted.

This blue example was perhaps exactly the opposite. It seemed to have melted well, although upon close inspection a crack could be see running diagonally across the block.

Because this looked like a promising candidate we tried to release it from the clay mould, but this one had attached itself to the clay, and you can see the results of our attempts.

This blackcurrant glass also looked promising, but the thing to note here is the bubbles. This must have cooled very (too) rapidly to capture the bubbles like this. Perhaps, if we don’t want bubbles then the heat should be turned down rather than turned off in order to make the cooling process more gradual.

This second blue one looked similar to the blackcurrant glass on the surface, however, when I tried to release it from the mould the internal structure was revealed, and that also contained bubbles. None of the six slabs were suitable for Knapping, so what did we do wrong?

I think we should have kept increasing the temperature to above the maximum of 1018 degrees that we got to on the day, in order to identify when the most difficult milk glass will melt. A second thing is to slow the cooling process so that bubbles have the chance to settle before the glass starts to solidify. We also need to consider alternative mould methods, as the aluminium takeaways, whilst not the main issue, didn’t help by melting.

We didn’t get what we wanted, but we did get plenty to think about!

Saturday night’s alright for knapping

I have said before I don’t like destroying things to make my stone tools. Well, I am not really sticking to my principles.

The ovate below is not my best as I had issues with step fracturing, and the shape is ‘quirky’. Plus still some original on one surface. However, I enjoyed the two hours in the lab, and stayed fully engaged throughout.

With glass blocks like this I need to improve the early stage turning of the edges, as that is what later leads to the step fractures. Still, not complaining as I am at a stage I am very happy with. I could improve this but lose size, so I think for now it is fine as it is.

Saturday night’s alright for knapping!

Large glass arrowhead

ArrowheadGlass

I have been collecting glass from the bottle tip for our melting experiment, and along the way found some nice thick pieces.

I was in the lab Saturday working on flint, and so today (Monday) I had an hour or so working on this brown glass base.

It took a while to get into it, and once in I had to sacrifice size in order to get rid of some horrible step fractures.

I used stone, antler and finally a copper pressure flaker to finish it off. It flaked really well and I am happy with it. I also have a nice green piece so let’s see if I can find the time tomorrow as well.

In the lab

FlintHandaxe

Second Saturday in the lab. I made some more large flakes from an older nodule of different flint. This was harder and chalkier than the new material. Consequently, it took me a while to get it right, hence the small size. However, I like it. I should also say at this point I had about five goes, destroying three flakes before coming away with two handaxes. The others would have worked as tools but they weren’t ‘right’, so I carried on with consequences.

This is the second handaxe, and last go I had. It is of the same flint as the large handaxe last week, and this is slightly larger. It is mainly flake, with thinning going on at the proximal or bulbar end. Karl Lee told me that handaxe edges were worked so that they didn’t break and leave bits of flint in the meat.

Approximately two thirds of the cutting edge is worked, and the final third simply the feathered edge of the original flake. I think this would have worked fine as each edge type would have had different qualities.

Anyway, the inadvertent soundtrack is ‘Senorita’ by James.

The Blue Handaxe – Materials

BlueGlassHandaxe

Yesterday we did some filming. Howard (film maker) and Jex (sound person) at the bottle tip. I had brought some props with me to explain the overall idea. Enter, my current favourite large handaxe (above) to illustrate where I want to go with things.

Next up was my best glass handaxe made from the base of a vase. This was to illustrate the limitation of size of materials, with this being exceptional, but still not very big.

Third up was this (presumably) 1950s Vicks bottle of amazing blue glass. This was to illustrate the rare blue material I wanted to collect in order to then work with Nacho to produce a blue glass block.

Anyway, after the above introduction and some bottle tip footage Howard wanted some live action blue glass finding moments. This was going to be difficult as over many visits I had picked the area clean, or so I thought. I found quite a lot, mainly a pale or lighter blue, but nevertheless illustrating the material gathering process authentically, which is what we both wanted. Let’s see what Howard makes of phase one.

The Blue Handaxe

BlueGlassHandaxe

I have a new project in mind inspired by a number of factors. The first one is the fragments of blue glass that I find at the bottle tip. Blue glass is pretty rare I have realised.

The second was seeing the melted glass bottle in Spain last year and realising I could produce a glass block, with the help of Nacho and his kiln. Talking to a friend Howard, he thought it would make an interesting three part film: gathering materials; making the glass block; knapping the handaxe.

That is how I ended up at Nacho’s this afternoon smashing the glass fragments I had previously collected and sorted, and making them into easily meltable pieces. Nacho, for his part has produced some clay moulds to get the shape, but as clay is porous the glass would bind to the clay. The aluminium food trays are to line the clay mould and stop the glass sticking.

This is obviously all theoretical at this stage, anyway, after putting the glass into a carrier bag and hitting it repeatedly with a lump hammer we managed to get one blue glass container filled.

After that we did a milk glass, and then clear glass container. And after that we went back to the bottle tip to get some materials for brown and green handaxes as well. There is a lot that can go wrong with this project, so let’s see how it goes!

What to do with all this flint?

Flint, Handaxe

I have had a bit of a ‘John day’ today. First thing I took Bella for a walk to the bottle dump. I found some blue glass fragments and a couple of interesting bottles, but no nice thick pieces.

After a late breakfast of left over veggie Shepherds Pie I went into uni. As you can see, we have some very big nodules, inherited from Alice la Porta. When she was buying them I told her to specify big nodules, as our previous delivery had been largely small ones. I should have said medium size.

Anyway, today I wanted to try breaking one up to see how it would go. I chose what looked like the easiest nodule, with flat sections as ways in. I then proceeded to produce a series of large flakes, and a lot of small debris.

For the breaking up process I used these two hammer stones, and as you can see, I didn’t get off scott free. However, they did their job and I then wanted to make a handaxe from one of the flakes.

All together I had three goes and made two handaxes, and I really like the one made from this flake. I learned from the glass handaxe I made last week, and this time stayed focused on preparing platforms and getting long thin flakes off.

One of the transverse flakes came off nicely but stepped in the centre of the handaxe (see left hand side with brown stripes).

So I did one of my special techniques that I learned from a Bronze Age knapper, and fitted the flake back in. I then whacked it again and successfully removed the step.

If you look at the flake scar on the right hand side you can see the negative bulb of percussion in the centre of the handaxe illustrating the process.

I am very pleased with this one, it is large with nice long flat removals. I don’t know if a Homo heidelbergensis knapper would have been concerned about the step fracture, however that process was immensely satisfying for me and gives the handaxe some personality. Happy days.

Large glass ovate handaxe

Glass, Handaxe

I don’t normally destroy perfectly functional things in order to make my stone tools, however…I found this nice thick glass ashtray in Oxfam and it reminded me of the glass slabs I want to produce with Nacho.

So £3.99 and 24 hours later I was sat in the lab with a small hard hammer. The glass was really good to work even if it took me a while to get rid of the ‘walls’ of the ashtray.

Like the older glass I am used to, this ashtray glass had bubbles in it. I knew what I wanted, a large ovate handaxe, and my earlier removals, when I had more material were better. I have some nice flakes that will be good for arrowheads at some point.

It looks half decent, is fully bifacially worked (no original surface left) and I have retained a good size. However, it is not my best. Harder to see from the pics is a step fracture ‘island’ on one face. I relaxed a little and went ‘intuitive’, which felt right, but failed to produce descent removals.

I was concentrating more on outcome than process, and in doing so stopped giving each removal the due consideration it deserved. By the time I realised I didn’t any longer have a good way in to remove the steps. If I really wanted to make it into something I like I would lose size, and it would end up like many of my smaller ones that are either made from smaller pieces, or like this, takes me lots of removals to get it ‘right’. Anyway, the hour in the lab was the thing. It’s been a while and it was great.

I am a 61 year old man

Vulnerable-people, System change, Waste materials

Two weeks ago I had a day off work, which is absolutely unheard of for me. I woke up with intermittent pains in my chest, and as they were intermittent I was probably going to drive over to Chester to do my lecture anyway. Fortunately, I am part of a family and after a call to my doctor, Karen and Roxanna decided that a family day out to Accident and Emergency (A&E) was in order. Over seven hours I had an electrocardiogram, blood tests and a chest x-ray. I was able to observe these processes almost dispassionately. I was in no pain, and if there was a problem I was in the right place. In relation to me there was nothing serious to worry about, but I still have to find out what is causing the pains. As a visitor to A&E for the day it was both amazing to be looked after so well at a potentially critical moment, but also eye opening to see how they are managing to manage. As well as really busy and competent care professionals I spent the seven hours with a large number and range of individuals with a variety of distressing conditions and behaviours. There was a lot of vulnerable people and the less urgent cases will have spent a lot longer than me in there.

Fast forward to today, this is my fifth day of recovering from a really horrible flu bug. On Monday I had a snotty nose, Tuesday and Wednesday I couldn’t get out of bed. When I did get out of bed on Thursday I couldn’t walk because of lower back pain. Today is Saturday and I took the dog for a walk around the park. My lower back was really limiting movement and I was feeling very vulnerable to slipping on the patches of ice left over from last night. Last week I was dispassionately observing vulnerable people in physical distress, and today I was the vulnerable person in physical distress. I felt like one of the many and various people I had observed in hospital.

These feelings seems to have affected my focus because on the way back from the park all I could see was the amount of litter on the street. Being an archaeologist I think I can see a pattern. Car pulls up, driver consumes fast food, drink and cigarettes, winds down window, deposits empty packaging on the pavement, drives away. This may be an artefact of a new kind of work where drivers are living in their vehicles for most of the day. It is also incredibly selfish behaviour that makes me very angry. I have yet to see someone doing it which makes it even more frustrating to deal with.

My feelings of physical vulnerability and recent hospital experience made me realise that it is lower paid and older people (like me!) who come to rely more and more on services like the National Health Service (NHS). The deliberate underfunding of the NHS by our government is a clear strategy to turn an encompassing public service model into a profit making business one. By selling off significant elements of the service to the private sector it becomes a business model that profits from the physical vulnerability of an increasing poor and older population. Perhaps because I suddenly saw myself in this ‘new’ (poor and old!) situation it made me consider all those physically vulnerable people and the future of the NHS.

In my fevered and physically vulnerable state I imagined a clear correlation between the discarded packaging ending up in our street, and the various and vulnerable people ending up in A&E. Trafford Council will ultimately pick up the discarded packaging, and the NHS will deal with those vulnerable people, but both will spend a lot of time waiting to be sorted out.

I want to suggest that both these issues are structural in nature. I believe a modern attitude has been cultivated to understand ourselves as individuals first, and to a lesser degree part of a larger society. We are encouraged to become ‘entrepreneurs of the self’, creatively selling ourselves as a product within the wider capitalist market place. Until of course we are no longer ‘useful’ within that market place, something that is dawning upon me as a 61 year old man.

Within this argument, health insurance becomes a ‘technology of the self’, necessary to maintain the functioning of the individual. The discarded packaging are the remains of differing technologies of the self. The single use individual portion coffee cups, plastic bottles and cigarette boxes have all served their single use, and can now be dealt with by someone else. That someone else is larger society, something largely missing from the entrepreneur of the self narrative.

So what does all this mean? It felt like it made sense in my fevered state. Trying to unpick it is a bit more tricky. However, the thing that stands out for me is how virtually all my stone tool making equipment and materials is repurposed waste. It seems that following aboriginal cultures, it is possible to find satisfaction, value, and beauty in repurposing those materials. Developing this idea suggests we could organise things differently. Perhaps a society that was designed to find the value and beauty in both discarded materials as well as older and poorer people. A society like that would certainly be better for those vulnerable folks like myself ending up in A&E, but also for people like my 20 year old daughter, Roxanna. She is fit and healthy but through no fault of her own is going to inherit the looming environmental crisis we are busy creating, one single use plastic bottle at a time. I think we need a system change.

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