Experimental production of stone tools

Tag: Mynydd Rhiw

On hitting things

My understanding of how to hit things has developed not through flintknapping but martial arts. Consequently, this also influences how I teach other people as I find the principles to be transferable. The first issue is cultural, that generally we are taught that hitting is a bad thing, and so we don’t get that much practice. A first step then is to just get people used to hitting flint with a hammerstone and I have previously done a whole two hour session at Chester on just that.

I then move on to a discussion of impact, or kinetic energy. My understanding is quite processual, in that kinetic energy is a result of the relationship between the mass of an object (hammerstone) and the speed it is travelling upon impact. Whilst the mass of your selected hammerstone will be constant, one variable we can play with is speed at impact. If we remove angles and accuracy from this discussion, a high impact speed increases the kinetic energy, and this in turn increases the chances of getting a clean flake removal. To increase the speed of the hammerstone it is necessary to have a relaxed arm, and relaxation comes from a familiarity with the hitting process (see paragraph one). So far, so good.

Anyway, I was at home and most of my knapping gear is at work and I was feeling a little bit stressed and saw a nice tabular piece of material in the back yard. I am 99.9% sure I picked it up at the Mynydd Rhiw site earlier this year, but my problem was that I only had a very large and very small hammerstone to hand, and a small antler hammer that I usually use on glass. None of the tools were ideal but I wanted to have a go, and if my above theoretical understanding was correct, I should be able to adapt my speed of hitting to compensate for the overly large or overly small size of the tools being used.

So that is what I did. The large hammerstone was good for the first stage of cortical removals. As you can see, each of these pieces has between 80% and 100% of cortex on the dorsal face.

The next stage was a little more tricky, as I could have done with a slightly smaller hammerstone and larger antler hammer for the shaping and thinning process. As you can see, these pieces are characterised by around 50% cortical surface and they are generally smaller.

With the final stage I really had to hit the material hard with the small antler hammer. A bigger one would have worked better, but my approach succeeded and I did manage to get some nice soft hammer flakes off. As you can see, these are characterised by minimal cortical surface present.

Anyway, if the material was indeed from Mynydd Rhiw I should have made a Neolithic polished stone axe, but being me it became a small flat based cordate handaxe. This is technically incorrect because the material was originally quarried even though I picked it up from the surface. At one point it had a large step on one surface, which I removed by replacing a removal and using that as a punch to get rid, and it worked really well.

The speed thing does work, but it is hard work, and the intuitive way I normally select the appropriate tool does save me energy. There is more to hitting than this, I deliberately avoided a lengthy discussion of angles and accuracy, however this post does go some way towards exploring and explaining (my understanding of) the underlying complexity of what is generally perceived to be a simple process.

Neolithic ‘axe factory’

Today we made a visit to a Neolithic ‘axe factory’. I say we, Karen and Roxanna stayed in the car whilst I went for a wander. The term ‘axe factory’ is embedded in an economic view of the past and the subject of one of my favourite lectures at Chester: Stone Age Economics.

Anyway, once out of the car I followed the obvious path up to a distinct pile of rocks on a small summit. It was some kind of collapsed structure, but the stone it was made from clearly wasn’t knappable. However, the summit gave me a good view of the area I had crossed, and I knew from previously looking at a 1:25 scale map approximately where the ‘factory’ was located. It was lower down, within spitting distance of the car park.

The ‘factory’ was found in the 1950s after a fire, and comprised a series of pits with surrounding lithic scatters. A knappable volcanic material outcropped in certain places, and the pits were the result of Neolithic people digging down to get at the seams below the surface.

Whilst getting pretty close to the car park I saw a sunken feature filled with foliage and surrounded by some interesting looking fragments. The material looked knappable and it appeared to be debitage, what is known as ‘shatter’. Shatter has no obvious evidence of human modification, such as a bulb of percussion, but forms a significant component of any reduction process. These pieces were very well preserved for surface finds. Or they are not very old.

These three large pieces were at a different pit, but show the material more clearly. The thing to note is the outer cortex and it’s thickness on these flakes. Anyway, the star of the show, and the one I brought away with me is this large piece below.

The above image shows the inner gray fine grained volcanic material on the left, in contrast to its outer cortex on the right. So far, so good. The following image shows part of the outer face, and on it what I think is a flake scar from a hard hammer removal.

This suggests that the outer surface is not homogeneous, but the thickest cortical part formed in Geological time. Presumably this piece was then quarried during the Neolithic and the aforementioned flake removed, perhaps to test the quality. The piece was apparently then abandoned. If this did occur during the Early Neolithic it would have been perhaps 5000 years ago. Long enough for a patina, or new surface to develop over the flake scar.

So I am arguing three phases: an original geological cortex; then a flake removed in the Neolithic and over 5000 years a patina formed over that flake scar; finally, a historical period removal revealing the grey inner surface.

Because I believe this is a humanly modified piece I need to register it with the local Finds Liaison Officer and let them decide. Tomorrow I need to find a museum!

Update. I didn’t find a local museum so I will contact the National Museum of Wales to see what they think…

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